An oldie in new clothes! “The Tenants” by Mia Makila, 2019, digital collage (based on a work from 2006).
“Mia Makila och Maria Wingård är tillbaka i den lilla podd-garderoben med ett nytt avsnitt, fullspäckat med både eld och glöd! Avsnitt 17 är ett riktigt reningsbad – en perfekt nystart för både ART MOSTERS-Podden och hela konströrelsen för svensk lowbrow och mörk konst. Dessutom får vi ta del av små ljudklipp som ger ART MONSTERS-Podden sin unika collage-stil.”
Lyssna även via Spotify, iTunes och Podbean etc
Here are photos from the “Merry Haunts Ball” group show at Merry Art Gallery in Yokohama, Japan, that was on display between 2019.2.9 -2019.3.31. I had 7 digital pieces in the show.
Ni som missade SVT inslaget i kulturmagasinet Sverige! igår, där jag och Maria Wingård intervjuas om ART MONSTERS OF SWEDEN: klicka på bilden för att spela upp!
Klipp från P2 då MONSTER TEAMET gästade den svensk-finska talkshowen “Iltapäivä” på Sisuradio (17/4 2018). (hela versionen finns här – från 52:24)
December 1st, early morning. I can’t believe Johnny will be here in 21 days. I am a workday away from accessing my own world of art and creativity. I have to finish up the digital piece I’m currently working on and start something new and fresh. A new painting perhaps.
Yesterday, I got a notification on Facebook from writer and scholar Line Henriksen that the new special issue of Women, Gender & Research by herself and Morten Bülowa and Erika Kvistad, had been published – with my art ( “Iceland” ) on the back cover! This is yet another reminder that my art belongs out there in the world. I have to wrap up the work on my new collection – and hand it over to the audience. ♥
All of my different sides are visible in my art.
I haven’t felt like myself for a while. I’m a little torn between different versions of myself. The office-me, the artist-me, the Swedish-speaking-me and the English-speaking me, the strong me, the scared me etc. It can be a confusing at times. I’ve always had many sides to my personality and also many layers within each side which makes me a bit complicated to say the least. This is also visible in my art. I don’t have one single signature style, but various forms of expressions. I can be raw, I can be cute, I can be dark, I can be colorful. And I can be all those things at once. Even though I win many different followers and collectors by using different techniques and styles, I sort of envy artist with a clear signature style – because they are so dedicated to it. I am too restless, too curious about the next level of expression. I am always moving forward and I can’t go back to a successful style or expression even if I’d want to. When I move on, I never look back. Going back to an old style wouldn’t feel genuine and it would look forced. So, I guess that is my style – to always reinvent myself and my visual expression. On a deeper level, I believe I’ve used my art to rediscover and reclaim all the sides to myself that used to be censored or oppressed by other people.
I had some kind of breakthrough in my thoughts about my future painting last night. It was wonderful. The Dead Lolita theme has felt old for some time now. I don’t connect with the role of Lolita anymore, I’ve come too far on my journey of self-empowerment. It has been four years since I first got the idea of killing my inner Lolita – and I think I killed her on the way without even noticing. All the artworks for the Lolita show will be included in other collections.
The new theme for a future collection of paintings is “black on black” – whatever that might be. I have worked a lot with demon portraits against a black background and I would say it is my signature style. I love playing around with different nuances of black, adding more life to the dark and, often flat, color. I will also go back to making mixed media pieces instead of just acrylic on canvas – I have some new ideas I want to explore when it comes to my technique. This is exciting! I have already prepared some canvases. All covered with black paint, of course.
I am finally back to making art again. It’s been 5 months since I finished the last piece in PhotoShop (The Blue Connection). Being creative is my natural state, so I am starting to feel like myself again. I can see that my style has changed a bit since the last 2 pieces. It has shifted from a darker expression to a more delicate and dreamy style. My collage technique has always been driven by a freudian selection of images – but I work on a much deeper level now. My new collection of works will be my most personal one yet. Like visual diary notes. Who needs therapy when you have a talent to dig into yourself and bring it out as an emotional confession through a clear visual expression?
It is early morning and I am thinking about my new collection No Place Like Home and how it was supposed to be a love story. I have been working on the collection for almost 4 years now. From the time I met Johnny until now when we are broken up – you can follow our love and connection by studying my work. A house adrift. Two houses making a connection. Creating a root system. Sparks. Fire. Then – a separation. A disconnection within the root system. And now what? Am I supposed to end the collection about “finding a home” – on a bad note (with The Blue Connection)? Perhaps I have to continue working on it until something comes along that will create a ‘happy ending’? What if I have to wait for years to find my happy ending?
I will continue working on this collection to see where it’ll take me.
My friend and legendary Twin Peaks singer Julee Cruise just posted my old portrait of her on her Instagram! Rumor has it that she will be performing in one of the last two episodes of the new season of Twin Peaks that airs tonight in the US. Even if my name is misspelled, I feel so grateful and happy. Can’t wait to see her on Twin Peaks. I just know it will be magical.
My friend and writer Magic Frigren describes her experience of the photo shoot I had with her and Karin at the haunted hotel Stenkullen last month!
Here are two of my portraits of my friend and writer/illustrator Magic Frigren in the childhood room of the owner of Stenkullen Hotel, cluttered and crammed with toys and things. When I first met Magic, I fell in love with her warm aura and the pinkish glow she brings into the world, so I tried to capture it in these portraits.
This talented, strong and intelligent woman has the future in her hands and I can’t wait to see what she will do it it.
© 2017 MIA MAKILA
It is a sleepy Sunday. I haven’t done much this weekend, I am just trying to relax and recharge as much as I can. The plan is to go back to working with my art after I come home from my daytime job at the furniture store. And for that I need a lot of new energy.
My artist date for today got cancelled but yesterday I contacted another Swedish artist I’ve recently discovered and admire – Mikael Dalnäs and he fell in my love with my art as well. He suggested we should collaborate in the future and I would love to, once I am more into the flow of painting. I am still trying to find my groove in front of the easel.
Slowly, I am building my own network of like minded and amazing artists and creative people here in Sweden. I have big plans for us. Big and wonderful plans.