The artworks of 2019

2019 was to me the year of pure creative joy. It was also the year of vivid colors, like hot pink, neon green and nuances of azure blue. It was the year where I made many feminist statements in my art – from my @ladyicona project of making surreal portraits of amazing female icons – to my “Ungagged” suite, which included imagery of personal victories in my trauma recovery and some brutal girl power!

I will continue to be loud, fierce and unapologetic in my art. I already have 8 pieces in progress which will cross over to the new year – and I have ideas for many, many more!

I wish to thank my fans and followers for your kindness, support and love that you have shown me this year. You give me such positive energy and I always put it into my art and hopefully it will return to you in the end. I am grateful for your appreciation of my inner Universe.

I also wish to thank Stan at PROIMAGES AB and Therése at Westréns Glas AB for their loyal support and service.

HAPPY NEW YEAR!

Dark Surrealists United

I have some great news to share with you all!  I am currently building a platform for some of the most talented dark surrealists in the world called DARK SURREALISTS UNITED!
I’ve had many dreams in my life – and one of them is the dream of being a writer / journalist and it’s time to catch this dream now – so I am creating a site that will feature interesting interviews with some of your favorite artists and creators of dark and surreal art! At the moment I am juggling interview work with 9 different artists (Nihil, Nathalia Suellen, Jim Kazanjian, Aeron Alfrey, Richard Hoefle etc) This might take a while to finish up, but you have all something really great to look forward to! I believe we all need a break from the reality of real life and just have some fun and enjoy some amazing art! So – stay tuned…
(Logo design by me and art by Richard Hoefle)

All the different me’s

All of my different sides are visible in my art.

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I haven’t felt like myself for a while. I’m a little torn between different versions of myself. The office-me, the artist-me, the Swedish-speaking-me and the English-speaking me, the strong me, the scared me etc. It can be a confusing at times. I’ve always had many sides to my personality and also many layers within each side which makes me a bit complicated to say the least. This is also visible in my art. I don’t have one single signature style, but various forms of expressions. I can be raw, I can be cute, I can be dark, I can be colorful. And I can be all those things at once. Even though I win many different followers and collectors by using different techniques and styles, I sort of envy artist with a clear signature style – because they are so dedicated to it. I am too restless, too curious about the next level of expression. I am always moving forward and I can’t go back to a successful style or expression even if I’d want to. When I move on, I never look back. Going back to an old style wouldn’t feel genuine and it would look forced. So, I guess that is my style – to always reinvent myself and my visual expression. On a deeper level, I believe I’ve used my art to rediscover and reclaim all the sides to myself that used to be censored or oppressed by other people.

Black on black

Dead Lolitas by Mia Makila

“Dead Lolitas” by Mia Makila, 2017 [digital[

I had some kind of breakthrough in my thoughts about my future painting last night. It was wonderful. The Dead Lolita theme has felt old for some time now. I don’t connect with the role of Lolita anymore, I’ve come too far on my journey of self-empowerment. It has been four years since I first got the idea of killing my inner Lolita – and I think I killed her on the way without even noticing. All the artworks for the Lolita show will be included in other collections.

The new theme for a future collection of paintings is “black on black” – whatever that might be. I have worked a lot with demon portraits against a black background and I would say it is my signature style. I love playing around with different nuances of black, adding more life to the dark and, often flat, color. I will also go back to making mixed media pieces instead of just acrylic on canvas – I have some new ideas I want to explore when it comes to my technique. This is exciting! I have already prepared some canvases. All covered with black paint, of course.