The pink poodle

I LOVE this painted version (left) of my pink poodle – made by @project6handshakes – based on this detail from a digital collage that I have yet to finish up (right)!

Best of 2020

Some of personal highlights from the worst year ever:

1. My art was exhibited next to legendary artist H.R. Giger at a lovely group show at Merry Art Gallery in Japan.
2. Launched darksurrealists.net – but the project was interrupted by Covid.
3. Started painting again (after almost 10 years).
4. Started writing a novel based on my experiences of ambient abuse (subtle psychological abuse)
5. Created Epilogen Podcast  – a Swedish documentary podcast about #narcissisticabuse
6. Learned how to set healthy boundaries (finally!) and started loving myself.
7. Was hired to be a mentor for an amazing art student.
8. Found a new purpose in life – to be a spokesperson for #psychologicalabuse through my art, writing, podcast etc.

HAPPY NEW YEAR! May 2021 be a much better year for us all! ♥

NEW! “The Rebelle Collection”

Woohoo! Good news! Here it is – “The Rebelle Collection” with 4 new digital collage, which I made exclusively for the coolest galley/store ever: @lamaisonrebelle ! The original prints will be available on their website soon! You can see all pieces here. I have been working on this collection for the last 5 months and I feel like they have redefined me as an artist. It doesn’t happen often that you feel like you have reached a new artistic level but I do feel it now with my Rebelle Collection and it makes me both excited and happy! I hope you like my new pieces, feel free to give some feedback in the comments! Have a great weekend!

NEW! “The Loudest Girl In The World”

NEW! “The Loudest Girl In The World” by Mia Makila. 2020, acrylic on canvas. 50 x 50 cm

Here is the first painting of the year! I made it exclusively for the group show “SPEAK” at Swedish gallery Kulturkossan. For inquiries, please contact Kulturkossan Gallery:  info@kulturkossan.se

The artworks of 2019

2019 was to me the year of pure creative joy. It was also the year of vivid colors, like hot pink, neon green and nuances of azure blue. It was the year where I made many feminist statements in my art – from my @ladyicona project of making surreal portraits of amazing female icons – to my “Ungagged” suite, which included imagery of personal victories in my trauma recovery and some brutal girl power!

I will continue to be loud, fierce and unapologetic in my art. I already have 8 pieces in progress which will cross over to the new year – and I have ideas for many, many more!

I wish to thank my fans and followers for your kindness, support and love that you have shown me this year. You give me such positive energy and I always put it into my art and hopefully it will return to you in the end. I am grateful for your appreciation of my inner Universe.

I also wish to thank Stan at PROIMAGES AB and Therése at Westréns Glas AB for their loyal support and service.

HAPPY NEW YEAR!

NEW! “Red Story nr. 3”

“Red Story nr. 3” by Mia Makila, 2019. Digital collage. Edition of 5. Available.

DETAILS:

This is the third piece of my “Red Story” suite – a visual series about the traumas I am slowly overcoming. Instead of my usual perspective of examining the emotions of the survivor/victim (me), I am focusing on the crazy actions and bizarre behavior of the abusers. In the third story piece I am exploring the strange behavior of one of my ex boyfriends. Our relationship was based on a power imbalance. I lived in his house, he was a ‘master’ – dominant, in control, better, stronger, smarter – whilst I was made into a submissive ‘lolita’, a living doll, an object, weaker, dependent and isolated. This imbalance had many dimensions – it was economical, material, physical, emotional, psychological and sexual.
 
During our first year of living together in his house, he had a bizarre ritual of unzipping his pants right after he had served me dinner, then he would take out his (soft) dick and place it on the dining table and would just be standing like that for a while – so proud of himself and his ‘thing’. This usually happened when the family across the street (a mom, dad and two teenage boys) also were having their dinner and could see him standing like that, through their window. I would do what all good girls are supposed to do in situations where men make us uncomfortable – I would giggle.
 
But after I was out of this toxic relationship, I started to question this absurd routine. What was he trying to tell me – with his dick on the table, next to the food I was about to enjoy? What did he demonstrate? Was it an act of intimidation, a power demonstration, psychological abuse or perhaps an expression of a sexual fetish (with the eyes of our neighbor family as an important factor)?