This one was so much fun to make. In a way it is a self-portrait of how I use to be (a puppet girl for others to manipulate). I have outgrown the chains and nails and I no longer allow anyone to make me feel like a puppet.
Today I’ve launched my new writing project DARK SURREALISTS UNITED – where I interview dark surrealists and dark artists from all over the world! Please take your time to read the interviews, whenever you feel like getting to know your favorite dark surrealist!
Ok, now go and have a look!♥
Woohoo! Good news! Here it is – “The Rebelle Collection” with 4 new digital collage, which I made exclusively for the coolest galley/store ever: @lamaisonrebelle ! The original prints will be available on their website soon! You can see all pieces here. I have been working on this collection for the last 5 months and I feel like they have redefined me as an artist. It doesn’t happen often that you feel like you have reached a new artistic level but I do feel it now with my Rebelle Collection and it makes me both excited and happy! I hope you like my new pieces, feel free to give some feedback in the comments! Have a great weekend!
Working on my doll queen monster and listening to some lovely music by Billie Eilish (work in progress for a collaboration with La Maison Rebelle).
I’ve made a fun journey through different styles in my art. I started out as a surrealist. I was 16 years old when I finished my first real painting – a surreal self portrait. Then, I moved on to explore expressionism, cubism, more surrealism and then some kind of a primitive realism.
Works from the time before I found my true artistic voice [1995-2005]:
It wasn’t until I suffered a deep depression in 2006 that I started using my creativity and my art as therapeutic expressions. I also joined the European Lowbrow movement – that later turned into Popsurrealism. It was in the “big eyes-large-head” mannerism of Popsurrealism that I eventually would lose myself and my artistic voice – and then get blocked and mentally paralyzed for almost 7 years. The cutesy stuff was bad for me, it’s just not who I am. I’m raw and direct both as a person and as an artist. I don’t sugarcoat things. I use a lot of humor in my art but it’s never cute.
My boyfriend, who’s really clever and very perceptive when it comes to me and my art, came up with a good description for the paintings I’ve done post hiatus: “primitive surrealism”. I like it. I’ve always felt at home in primitive art and in surrealism so I guess both genres have helped me develop my own style and visual expression. From now on, I’ll call myself a primitive surrealist. It’s perfect.
Painting styles post depression [2006-2016]:
It’s interesting to see how many similarities but also how many differences there are between my physical artworks (paintings, drawings, collages) and my digital art. I have gone from chaotic compositions in both my physical and my digital art to simplicity and stillness, but in my paintings I’m so much more raw and colorful, whereas in my digital art I’m more cinematic and poetic – perhaps because I’m also writing poetry on my computer, perhaps there’s a connection there.
My digital art [2007-2016]:
All photographs by Joseph McGlennon