What a week! As you all could see here on the site, the week started out with my big artist comeback and ended with the International Women’s Day! So much GIRL POWER! I made this video for all my sisters out there – but the message is for everyone!
We are women, ladies & girls.
We are not objects.
We are not trophies.
We are not here to please you.
We exist on our own terms.
We own our bodies.
We own our stories.
Happy Women’s Day!
This piece was difficult to make. It is a real memory from my life. A moment that repeated itself over and over again throughout my relationship with an abusive man. I loved that man. Or I thought I loved him. I thought he loved me. But at times, he told me he wanted to kill me. During a few seconds while physically abusing me. he even tried to kill me:
Most of the times he is just threatening my life in various ways. Sometimes with his hands. Sometimes he has a knife. Or boiling water. I am on the floor. He is on top of me. I have his spit in my face. His hungry saliva all over me. His hands around my neck. We are both sweaty. I am screaming. He is yelling, calling me things, telling me that I am a sinner, I am the devil, a prostitute. Worthless. I am fighting for my life but at the same time – I am not here. I disappear. I dissociate. At times I am shielding my body with a painting of birch trees that hangs on our wall. When he is trying to strangle me, I pretend to get unconscious to make him stop. My strategy is successful. The grip of his hands around my neck relaxes, he whispers: “Mia? Mia?….Mia?” Since I am holding my breath, I suddenly grasp for air and he starts to cry: “I am such a monster… I’m sorry. I’m sorry”. My job now is to make him feel better. “No, you are wonderful, I love you so much, you are not a monster” I tell him and start to comfort him with my body. Nobody knows what he is doing to me. Nobody is comforting me, not even myself.
Art, Disney books and vintage erotica.
“My Secret Garden” by Mia Makila, based on the mask sculpture “Postmortem III” by Candice Angelini. Digital ultrachrome print, edition of 5. Available.
Based on a meditation experience I had the other week:
“My life is no longer a horizontal world of a “past, present and future”. My life is no longer a timeline to follow – but a vertical cycle of natural processes; death, nurturing, life, power. A journey from darkness to light.”
This is the first new art collaboration piece with Candice Angelini. There will be more.
This is one of my most personal artworks – “MISTY MEMORY”, a digital piece from 2012.
When I am working with my art – or anything creative – I am only interested in finding powerful and strong expressions. I always start with the eyes – if there’s no genuine expression in the eyes or if they lack intensity, I won’t finish that piece and I just move on to another project. As soon as I start to compromise my vision, I end up feeling lost – and when the creativity turns into a struggle I lose the joy of being part of it. Sometimes it feels like starting a new painting on a blank canvas is like taming a beast (the canvas being the beast of ‘nothingness’ or something dead and empty).
I’ve always disliked a blank space – especially an empty white space. My desire is to fill the void, to make an expression, a statement, to tell a story and to create meaning where there seems to be no meaning at all. perhaps that’s why I like to fill the white canvas with a dark background. The darkness can hold all kinds of secrets within that black space – but something all white -without any hope of details inside, really creeps me out.
My art is extremely personal and even though I don’t use my own face in my Lolita demons, they are all part of me and my fears, my rage, my pain and my inner voice. They are all self portraits in a way.
Sperm Wounds is my rage, Scrollan is an expression of the helplessness I’ve felt in my past, Stigmata is about my physical hell.
The stories I share in my art, lays in the emotional expressions of my demons – especially visible in the eyes, smile and body language. The portraits are simple in the compositions, there aren’t many details in the background, if any at all. But if you make eye contact with the characters, you will find endless shades of emotions and details in there.
Through my stories and artistic expression, you get to share my emotions and the memories of humiliation, sadness and horror – and what it’s like to be a human soul in a world where heaven and hell are both centered inside our minds and hearts – and also outside ourselves.
In every corner of life.
I haven’t really been painting since 2010. It’s been a long break (and a long journey back from the blockages) and I’ve missed it terribly. My work in 2015 is dominated by two concepts – rage and home. There are a lot of floating or flying houses, perhaps because I spent the first half of the year without a home of my own. And my Lolita demons are not scared anymore – they are furious! They are taking back whatever people took from them, especially their sexuality and humiliation. I am slowly healing and it’s reflected in my art as well.
Artworks from 2015
The inspiration for 2015’s artworks
The inspiration for my art this year has been coming from a lot of different sources – old votive paintings from Mexico with the addition of words and stories at the bottom, the American folk artist Grandma Moses and my own art, especially from 2008-2009, just before my long hiatus due to the creativity crises.
The unfinished works of 2015
Sometimes I start some projects but never finish them – perhaps because they lack something or because they feel flat and dull.
I’m so looking forward to the new year – and I can’t wait to be painting, drawing, making digital art, writing and expressing myself in every artistic way possible! Happy new year everyone – 2016 will be an amazing opportunity to be courageous and confident in our work, and empathetic and kind in our hearts. ❤
2015 has been one of the toughest and at the same time one of the best years of my life. It’s been an important year of rediscovering my creativity, exploring new concepts as true love, lasting happiness, freedom and the first steps to independence. I’ve grown so much this year, I don’t even feel like I am the same person as I was in January – perhaps mostly because I’ve slowly been taking back the control of my life and ended some toxic and destructive relationships that were draining me. Now, I’ve become a minimalist in the sense of what I have in my life – only good things and people who makes me happy and inspired are allowed to stay in my life, the rest has to go.
My video messages from 2015:
“The Self-Saboteur” by Mia Makila, 2015, mixed media on wooden panel.
2007 was one of the best years of my life. I was totally lost in that magical flow of making art, experimenting, exploring and being creative almost all hours of the day. I was having fun and trying out new techniques and styles.
Only 2 years earlier, I was only painting (see photo below) – and now I was making collages, using mixed media, paintings, drawings and also digital pieces.
Another Place was my first real digital artwork and I finished it in late 2007. I had only used PhotoShop to edit the photos and selfies for my blog for a couple of years, but I had no real training, just playing around and trying stuff out. While making Another Place I could feel how I was growing as an artist and that the digital media was just right for me and my artistic expression. I was just having so much fun!
Another Place premiered in my solo show at Hera Gallery in Stockholm in January 2008:
And then one month later it showed up in my solo show in Reijmyre outside my hometown:
Even though I had so much fun making Another Place, I made it during one of the hardest times in my life and I was deeply depressed. That’s what the piece is about – that other place in life where only darkness rule.
When I finally came out of my depression, I thought it would be fun to make a new version of Another Place, because I had reached another place in my life. A place where light ruled, and where the colors were brighter. So I created a second version of it in 2012.
Another Place (light version) in Inked Magazine, 2014 and the darker version in Calle Magazine from 2010.
All artworks by Mark Bryan
I remember making Grim Reaper – [Daisy Adair] in late 2007 very clearly, because it was the first painting where I felt like I had found something new and exciting in my color palette. I had gained weight due to my depression at the time, and I was totally hooked on sugar and candy and it’s reflected in my art as well – in the palette and in the sugary and playful tone of the style.
The inspiration for Grim Reaper came from unexpected sources: the modern grim reapers of Dead Like Me, an american comedy-horror series that I was watching at the time, Marie Antoinette, Mark Ryden, Disney – and one day I was making whipped cream for a cake, and I just looked down at the perfect white ripples in the bowl and got inspired by the texture – so I used it in the face, and it has become a trademark for my art, the wrinkly demon faces.
My Grim Reaper painting has been featured many times in art magazines, even on the cover of Swedish horror magazine Eskapix and the French art magazine – Freak Wave (but notice how they used an early version of the painting, without the color splashes).