The language

Since I started to scan my own handwriting for my digital works, I have been inspired by the idea of incorporating words, letters and written messages into my paintings as well.

My trauma is so much about language. Words. The lack of them. Repetition. The tone of them. The temperature. Linguistic warfare.

I have always been attracted to words in paintings. Basquiat used it a lot in his paintings. David Lynch as well. Perhaps that is one of the reasons why I am so into early renaissance art – there are a lot of writings in them. I also have a soft spot in my heart for Mexican ex voto paintings (prayer paintings).

Since I was a little girl, I’ve loved to write and make up stories. I got A+ on most my Swedish assignments in school. Writing has always played a big role in the way I express myself. But in my traumas there has been this underlying threat that I am not allowed to express myself through my writing. Especially not about the traumas. Using words in my art is a way for me to rebel against this threat – and a way to break free from the invisible chains I’ve been forced to carry for the last two decades. It is my statement of independence and a way of reclaiming my artistic freedom.

“There Are No Memories Of My Crying Bed” by Mia Makila, 2017 [digital]

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